2024- 2025 Performance Clips

Performance for SPICMACAY, Stanford University, April 6 2025

Tabla: Tanmay Bichu, Harmonium: Rajdeep Singh, Tanpura: Surajit Bose

Clip: Raga Des - Aao Rajaji.

Clip: Raga Tilak Kamod - Sur Sangat Raga Vidyaa.

Clip: Raga Madhuvanti - Main Aavoon Tore Mandarava.

Clip: Nirgun Bhajan: Shoonya Gad Shahar.

Clip: Nirgun Bhajan: Shoonya Gad Shahar (2).

Maharashtra Mandal Bay Area, Feb 2 2025

Tabla: Amod Dandawate, Harmonium: Vivek Datar, Tanpura: Surajit Bose

Raga Shuddha Sarang: Bataide Mohe Gaan Surajanava, composed by Pt. Satyasheel Deshpande.

Raga Bhimpalas: Beriya Beriya, composed by Pt. Amarnath Chawla.

Rootstock Arts @ Wyldflowr, Oakland CA, 26 Sept 2024

Tabla: Sudhakar Vaidyanathan, Harmonium: Rajdeep Singh, Tanpura: Surajit Bose

Raga Kalyan: Piyarava Aao, composed by Pt. Kumar Gandharva

Holi Baithak - Swaraswati School of Music, March 2024

A concert of Holi and Basant Ritu themed bandishes, presented at Swaraswati School of Music, Dublin, CA on March 24, 2024. Tabla: Rohan Upamaka Harmonium: Narendra Joshi Tanpura: Sanika Kulkarni

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Kumar Gandharva: First Encounters

The following is an excerpt from Pt. Satyasheel Deshpande's Marathi book, Gaan Gunagaan, Rajhans Prakashan, 2023, edited and translated by Srijan Deshpande. An abridged version of this piece was carried in The Hindu's Friday Review edition, dated April 07, 2023, to mark the beginning of Kumar Gandharva's birth centenary year.

Of Acoustics and Aesthetics

I have a chapter in a new monograph that brings together perspectives on using computational tools to understand and analyse music. Titled 'Of Acoustics and Aesthetics: Analysing Vocal Timbre in the Hindustani Khayal', my paper uses spectrographic analysis and new insights from the fields of voice science and psychoacoustics to develop a nuanced perspective on the vocal timbres of some iconic Hindustani vocalists.

Two Idiolects of Rāga Śrī (Aug 2019)

Srijan Deshpande, Hindustani classical vocalist and researcher presents a paper exploring personal conceptions of rāga Śrī as well as of the very concept of Rāga. This paper was presented as part of a seminar entitled ‘Creativity and the Khayal’ that was held on 19th August 2019 on the occasion of the launch of the Manipal-Samvaad Centre for Indian Music.

Srijan Deshpande

Music, Musicology, Teaching, Performance, Writing

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2023 Concert Clips

Srijan Deshpande

Kumar Gandharva: First Encounters

Srijan Deshpande

Of Acoustics and Aesthetics

Srijan Deshpande

Audiogyan with Kedar Nimkar

Srijan Deshpande

Appreciating Hindustani Music

Srijan Deshpande

Bageshree at Saptak Sangeet Sankalp 2021

Srijan Deshpande

Book Review: When Tedium and Absurdity meet Begum Akhtar

Srijan Deshpande

Chaitanya Tamhane's The Disciple: A Musician's Review

Srijan Deshpande

Flows of Tradition: The Saptak Podcast

Srijan Deshpande

Live at the 33rd Purandaradasa & Trinity Festival, Ragadhana, Udupi

Srijan Deshpande

Srijan Deshpande Live @ Sangeet Srushti

Srijan Deshpande

Vocal Expression and Vocal Acoustics in Hindustani Music

Srijan Deshpande

Raga Dhaani: Kan Kan Sur Taal Liya

Srijan Deshpande

Baithak: Ragas Bageshree and Malkauns, live for Swarasampada Entertainment

Srijan Deshpande

Personalities in the Agra Gharana - Video Series

Srijan Deshpande

‘Sebastian & Sons’ by TM Krishna - Book Review

Srijan Deshpande

Two Idiolects of Rāga Śrī (Aug 2019)

Srijan Deshpande

Ustad Allarakha (2018)

Srijan Deshpande

Ustad Sharafat Hussain Khan

Srijan Deshpande